Lattes CV: http://lattes.cnpq.br/5226357022961460
Short CV:
He holds a PhD in Communication and a master degree in Musicology. Currently, he is interested in studying music in society, particularly the issues on value, gender, and periphery. He is both a CNPq and Faperj research fellow, and was the editor of the scientific journal E-Compós (2009-2013) and vice-president of the Latin American section of the International Association for the Study of Popular Music (IASPM-AL).
Advising Interests:
– Music, culture, and value
– Gender relations through music
– Music, popular culture, and social asymmetry
– Music and distaste, rejection, and disturbance
Research Project
In the last few years, we have observed the media emergence of musical practises related to the “peripheral “ universe. This research aims to investigate how mass peripheral music constructs and stresses a shared imaginary on the”popular” universe. The main hypothesis is that peripheral music penetrate social boundaries, but still is pervaded with stereotypes, thus reinforcing the notion of the Popular as inferior in value scales.
Publications
Journal Articles:
TROTTA, Felipe C.; OLIVEIRA, Luciana X. . O subúrbio feliz do pagode carioca. Intercom (São Paulo. Online), v. 38, p. 99-118, 2015.
http://www.portcom.intercom.org.br/revistas/index.php/revistaintercom/article/viewArticle/2283
TROTTA, Felipe C.; ROXO, Marco A. . O gosto musical do Neymar: pagode, funk, sertanejo e o imaginário do popular bem sucedido. Revista Eco-Pós (Online), v. 17, p. 1/6-12, 2014.
https://revistas.ufrj.br/index.php/eco_pos/article/view/1788
TROTTA, Felipe C.. Entre o Borralho e o Divino: a emergência musical da periferia. Galáxia (São Paulo. Online), v. 13, p. 161-173, 2013.
http://revistas.pucsp.br/index.php/galaxia/article/view/14698
TROTTA, Felipe C.. Fugidinha: gêneros musicais, periferias e ambiguidades. Boitatá, v. 16, p. 28-42, 2013.
http://revistaboitata.portaldepoeticasorais.com.br/site/arquivos/revistas/1/N16_ARTIGO_2.pdf
TROTTA, Felipe C.; SANTOS, Kywza F. . Respeitem meus cabelos brancos: música, política e identidade negra. Revista FAMECOS (Online), v. 19, p. 225-248, 2012.
http://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/11350
TROTTA, Felipe C.. Som de cabra macho: sonoridade, nordestinidade e masculinidades no forró. Comunicação, Mídia e Consumo (São Paulo. Impresso), v. 9, p. 151-172, 2012.
http://revistacmc.espm.br/index.php/revistacmc/article/view/349
TROTTA, Felipe C.. Sexualidad, moral y humor en la telenovela brasileña actual: casamiento, traición, seducción y simpatía. Trans (Barcelona), v. 15, p. 28, 2011.
http://www.sibetrans.com/trans/articulo/374/sexualidad-moral-y-humor-en-la-telenovela-brasilena-actual-casamiento-traicion-seduccion-y-simpatia
Books:
ULHÔA, Martha T (Org.) ; AZEVEDO, Claudia (Org.) ; TROTTA, Felipe C. (Org.) . Made in Brazil: Studies in Popular Music. 1. ed. New York: Routledge, 2015. 249p .
TROTTA, Felipe C.. No Ceará não tem disso não: nordestinidade e macheza no forró contemporâneo. 1. ed. Rio de Janeiro: Folio Digital, 2014. v. 1. 166p.
http://foliodigital.com.br/loja/produto/no-ceara-nao-tem-disso-nao-pdf/
TROTTA, Felipe C.. O samba e suas fronteiras: pagode romântico e samba de raiz nos anos 1990. 1. ed. Rio de Janeiro: Editora UFRJ, 2011. v. 1. 284p .